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Posted by / 26-Dec-2016 08:37

But as a live unit, EITS are visceral, cathartic, capital-r Rock, and Monday night’s Greek Theatre set – one of their biggest headline shows to date – cemented that fact for an awestruck, tearful audience.The band plays in venues that fully engage your visual as well as auditory senses.It's the kind of comedy you would expect it to be, while not knowing exactly what is going to happen.If you don't like these kinds of comedies, this one may not be for you.Stealing the show, however, is Sean Combs, who plays Green's boss Sergio.Every scene he is in is hilarious and he is surprisingly funny.From last year at The Ace to last night at The Greek, it’s always a beautiful journey.

His rig has expanded to fit in keyboards and an Ableton Live session, mostly for the electronic textures of last year’s – while many of EITS’ fans may hold tight to memories of their early days, thunderous roars greeted new tracks like “Disintegration Anxiety” and the thick, droning chords of “Logic of a Dream.” There were no discernable gaps, each song fading smoothly into the next like waves far out in a deep ocean.Toronto quartet Holy Fuck tapped into a joyous side of freeform electronica, drawing from techno, ambient, and EITS’ vein of brawny indie rock.Armed with an ace rhythm section and two tables’ worth of flashing synths and samplers, the group pushed together driving grooves and oddball noises that warranted more than a few audience members shouting out their name – albeit in its originally intended fashion.As one would guess, things don't go accordingly, and a whole lot of comedy ensues.The film, more than anything, is essentially a rock pic.

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